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Richard Sanford

Theater Review: OSU Presents Columbus Premiere of Riveting, Relevant Historical Drama ‘Red Velvet’

Richard Sanford Richard Sanford Theater Review: OSU Presents Columbus Premiere of Riveting, Relevant Historical Drama ‘Red Velvet’

Historical drama and varying accents can prove difficult for even experienced, adult actors, a difficulty that’s compounded for actors still learning their craft. So OSU’s local premiere of Lolita Chakrabarti’s British hit Red Velvet, set in the rough-and-tumble London theatrical scene of the 1830s (with a framing sequence in 1867), and given a vibrant mounting […]

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Theater Preview: Wexner Center Hosts Australia’s Back to Back Theatre’s First Ohio Appearance

Richard Sanford Richard Sanford Theater Preview: Wexner Center Hosts Australia’s Back to Back Theatre’s First Ohio Appearance

The Wexner Center has done an outstanding job of cultivating international relationships with companies, curators, and performers, for longer than I’ve been a regular attendee (about 25 years of its 31-year run). They’ve outdone themselves with their February offering. One of the most vivid, stunning, moving ensembles I’ve ever seen on a stage, Australia’s Back […]

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Theater Review: Red Herring’s Gripping ‘A Doll’s House, Part 2’

Richard Sanford Richard Sanford Theater Review: Red Herring’s Gripping ‘A Doll’s House, Part 2’

Lucas Hnath casts a long shadow as one of our greatest playwrights of ideas. Again and again, he takes people grappling with ideas and arguing about minute details – talking in a room – into captivating, rich drama. Red Herring’s area premiere of his Tony-winning sequel to Ibsen, A Doll’s House, Part 2, directed by […]

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Theater Review: Short North Stage’s Acidic, Hilarious ‘The Motherf**ker with the Hat’

Richard Sanford Richard Sanford Theater Review: Short North Stage’s Acidic, Hilarious ‘The Motherf**ker with the Hat’

Stephen Adly Guirgis is one of America’s finest stage chroniclers of struggles on the fringes of society and The Motherf**ker with the Hat might be his masterpiece. This twisted love letter to recovery and living gets a jaw-dropping production at Short North Stage, directed by Chari Arespacochaga. The Motherf**ker with the Hat follows Jackie (Raphael […]

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Theater Review: CATCO’s Vibrant and Charming ‘Application Pending’

Richard Sanford Richard Sanford Theater Review: CATCO’s  Vibrant and Charming ‘Application Pending’

CATCO kicks off 2020 with a dazzling high-wire act: a fast, fun production of Greg Edwards and Andy Sandberg’s Off-Broadway hit Application Pending directed by Steven C. Anderson. Application Pending features Christine Evans (Vanessa Sawson) on the first day she’s plucked from her life as a kindergarten classroom assistant and thrown to the wolves – […]

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Theatre Review: Actors’ Theatre’s Gleeful, Bawdy ‘Or’

Richard Sanford Richard Sanford Theatre Review: Actors’ Theatre’s Gleeful, Bawdy ‘Or’

Actors’ Theatre presents Liz Duffy Adams’ restoration-era farce, Or, in a crackling production directed by Rowan Winterwood with the right amounts of sweet and hot. Or finds Aphra Behn (Michelle Weiser), poet and former spy, in a debtors’ prison from unpaid wages due to an untimely beheading of her boss, the King, in the rise […]

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Preview: Wex Presents Acclaimed Choreographer & Writer Miguel Gutierrez’s “This Bridge Called My Ass”

Richard Sanford Richard Sanford Preview: Wex Presents Acclaimed Choreographer & Writer Miguel Gutierrez’s “This Bridge Called My Ass”

The Wexner Center for the Arts resumes its performing arts season with one of the most intriguing mixes of dance, music, and text you’re likely to see anywhere. NYC-based choreographer Miguel Gutierrez uses a variety of tools, intellectual rigor, and abstraction to get to the most visceral of ideas. As he says on his website, […]

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