The Dispatch wrote
Wexner Center lands big show on pop artist
Thursday, March 27, 2008
BY NANCY GILSON
The Wexner Center for the Arts has snagged the only American exhibit of more than 700 films, videos, paintings and prints by the celebrated pop artist Andy Warhol.
From Sept. 13 to Jan. 4, “Andy Warhol: Other Voices, Other Rooms” will fill all four galleries at the Wexner Center on the Ohio State University campus. The installation was organized by the Stedelijk Museum in Amsterdam, the Netherlands, and the Modrena Museet in Stockholm, Sweden. The exhibit was seen in fall 2007 in Amsterdam and is on display in Stockholm.
“This is the most far-reaching, rigorous show done on Andy Warhol since he died,” said Wexner Center Director Sherri Geldin in announcing the show. “It is a spectacular show, and we are thrilled to be bringing it here.”

Wexner Center lands big show on pop artist

DAZZLING EXHIBITION FEATURES WARHOL’S “COSMOS” THROUGH MORE THAN 700 WORKS
Columbus, OH—This fall, the Wexner Center will present the only U.S. installation of Andy Warhol: Other Voices, Other Rooms. Organized by the Stedelijk Museum in Amsterdam and the Moderna Museet in Stockholm—and curated by Eva Meyer-Hermann, an independent curator based in Cologne, Germany—this spectacular exhibition will be on view at the Wexner Center from September 13, 2008 through January 4, 2009. Occupying the entirety of the Wexner Center galleries, Other Voices, Other Rooms sheds new light on the oeuvre of the celebrated Pop Art master, who was inarguably among the most influential artists of the 20th century.
Featuring films, videos, paintings, drawings, prints, wallpaper, installations, objects, seldom heard audio recordings, and extraordinary archival material, Other Voices, Other Rooms focuses on concepts at the heart of Warhol’s work: consumer culture, sexual identity, social transgression, and the eradication of distinctions between high and low culture. The works in the show-some 700 items-date from 1949 to 1987.
“Upon visiting this astounding and ingenious exhibition in Amsterdam late last year, I immediately set the wheels in motion to bring it to the Wexner Center. It explores afresh the remarkable legacy of an artist who utterly transformed the cultural landscape of his own time, but also foretold with uncanny prescience today’s media-obsessed society,” says Sherri Geldin, director of the Wexner Center. “Given Warhol’s masterful manipulation of virtually every artistic medium, what better place than the multidisciplinary Wexner Center to present this exhibition. And what a spectacular opportunity to see it specially redesigned for the center’s distinctive galleries, which themselves have an almost cinematic character.”
The visitor experience begins with a “red carpet welcome,” including introductory material and music by The Velvet Underground, the band that Warhol launched from his famous Factory. From there, the exhibition unfolds in sections:
* At the heart of Other Voices, Other Rooms is the Cosmos, highlighting the master’s ways of thinking and working and his imperturbable eye for detail. Here one finds iconic works of art and objects from The Time Capsules and The Factory Diaries-in which Warhol captured his life in the ’60s, ’70s, and ’80s, featuring glimpses of such luminaries as Edie Sedgwick, John F. Kennedy Jr., and David Bowie. In addition, drawings, photos, and rare archival material are presented alongside audio fragments of Lou Reed, Truman Capote, and others.
* In the Filmscape , visitors explore a cinematic landscape that includes films made between 1963 and 1968, including Screen Tests, Sleep, The Chelsea Girls, Kitchen, and Mrs. Warhol. These films were Warhol’s experiments; secluded behind the camera, he depicts-without intervening-behavior in all types of situations, using time and observation as his ingredients.
* The TV-Scape section of the exhibition presents, synchronously, all 42 television episodes that Warhol created between 1979 and 1987, along with a selection of rarely screened videos. In this section of the exhibition, the artist projects his voyeurism onto everyone-stars and ordinary people, alike-in the medium that seemed best suited to the job. Just as in his magazine, Interview, Warhol had a keen eye for detail and trivia, with which he exercised a specific influence on the development of both media.
Andy Warhol (1928-1987), more than any other artist, merged the public with the private, the glamorous with the mundane, celebrity with anonymity, and ravenous voyeurism with seeming indifference. Well before the proliferation of media culture, he famously predicted that everyone would have their 15 minutes of fame-virtually foretelling the advent of American Idol and YouTube. Drawing upon the quite radical impulses coursing through American culture in the ’60s, Warhol incisively captured and reflected much that would ultimately demarcate a sea change in our social fabric of that time, with potent ramifications since.
Notes curator Eva Meyer-Hermann, “Andy Warhol once wondered about how it would be if one mirror would reflect another. He declared that everything which we want to know can be seen on the surfaces of him and his works. I thought I had to look behind these surfaces, but realized that what we are looking for is not behind but in front of them. Warhol’s surfaces reflect the world; his works are about you and me.”
SYMPOSIUM
Fall 2008 marks what would have been Andy Warhol’s 80th birthday. The Wexner Center will be organizing an international symposium on his work and influence, as well as a wide array of educational programs for teens, university students, and the general public.
CATALOGUE
Other Voices, Other Rooms is accompanied by an exhibition catalogue edited by curator Eva Meyer-Hermann, also a contributor to the publication. Other essays include those by Andy Warhol Museum film/video curator Geralyn Huxley, assistant film/video curator Greg Pierce, and archivist Matt Wrbican; artists Mike Kelley, Johan Renck, and Willem de Rooij; scholars Hubertus Butin, Hal Foster, Johannes Schmidt, and Benjamin Meyer-Krahmer; and Olle Granath, permanent secretary of the Royal Academy of Fine Arts in Stockholm.
THE TOUR
Other Voices, Other Rooms was first on view in Amsterdam last fall (which drew record crowds) before traveling to Stockholm, where it is currently enjoying spectacular success. In an unprecedented and somehow “Warholian” act of doubling, the Wexner Center’s presentation of this exhibition will overlap with its showing at the Hayward Gallery in London. The talented architect/design team of chezweitz & roseapple, based in Berlin, will completely (re)design the Wexner Center installation of the exhibition, just as it has for all of the exhibition’s venues.
http://www.wexarts.org/info/press/warhol_0308/
WOW this sounds like it will be well worth a visit to the WEX
This is a really, really big exhibit. September can’t arrive fast enough.
I’ve gone through phases with Warhol: loving him, hating him. I’m back on the loving him swing of things. The more I read about him the more I realize that he was either the greatest idiot-savant of all time, or the most brilliant mind of the 20th century. I’ve been reading this book “Who Is Andy Warhol” and throughout the essays authors make cases for him being not only a great artist and film-maker, but also as a great author of literature, and a first rate philosopher of the industrial age, and an innovator in the art of the interview (among other things).
After reading Arthur Danto’s take on the Brillo Box (essentially that it marked the end of art, in the same way that Hegel declared the end of history sometime in the 1800′s), it’s hard not to acknowledge the significance of Warhol.
I cant wait to see this show, especially for the presentation of episodes of his MTV show. I’ve been looking for those for awhile. I don’t even think they have them on YouTube.
I think this show will also prove, once and for all, that there is no “Andy Warhol of Columbus.” There was only one Andy, and nobody can ever compare to the depth and breadth of his diverse and bizarre career.
Yeah! This seems much larger in scale, but there was a Warhol collection that stopped in DMA for a few weeks before I moved here and I just couldn’t get it together to go. September seems so far away now! Booo.
The exhibition opens in a little over two weeks. We’ve been posting some behind the scenes construction photos of the exhibition on Flickr:
http://flickr.com/photos/wexnercenter/sets/72157606235663242/
Here’s a few:
I put this one on my calendar…definitely looking forward to checking it out.
neat! i want one of those stars! :)
I am so freakin’ excited about this!
I remember seeing a great Warhol exhibit at the Tate Modern in London UK back in 2002.
I still have mixed feelings on warhol. I will check out this exhibit to see whats it’s all about .
I guess it seems like if people were that into Warhol they would just go to Pitts. to the Warhol museum. But being at OSU will expose a lot of students and people who would otherwise not be exposed to it. It sounds like a great exhibit. I’ll check it out.
El’ KaBump!
Last 10 days of the show, leaves on the 15th, closing party on the 14th – 7-9pm (or something like that)